Monday 24 March 2008

Pastor Wright and the Obama Campaign: American Media Coverage & Race

So what are Senator Obama’s views on race? And, why has he avoided talking about it till now? Well, the short answer is because it is never a good thing to discuss the subject that nobody else wants to “touch with a long stick”, as we say in Jamaica. Because, even while you give voice to what most people are thinking and trying to be very diplomatic about, yours becomes the lone voice of dissent. The one which “bite and tear out di excitement!”, which is never a good thing, as I said before.

But, alas, the good Senator – and the lone black candidate in ongoing elections in America, at that, has gone and done it! That very thing no one else wanted to discuss – the unpleasantness of race and its significance to and in America, specifically to the elections. How will that play out after the “Race in America” (my unofficial title!) speech on Tuesday, March 18, 2008? Well, CNN says that it has improved Senator Obama’s stocks. According to them, based on a recent CBS/Gallup poll, he has rebounded after falling almost five percentage points to Senator Clinton since the infamous Pastor Wright tapes surfaced. (Makes you wonder about some other tapes we have heard about, right?)

However, if you are like me, after his Tuesday speech you are especially convinced that Obama is more than just another sentimental favourite, or the proverbial 'great black hope', in other words! This is not just because he plans to end the war in Iraq – a dream which most Democrats, we are told, holds dear. But, in reality, Senator Obama represents a meaningful difference and possibly change in the winds, if not the foundations of American politics, especially its foreign policy. This is something to be looked forward to, specifically in terms of Senator Obama’s very crucially posed question of whether the war in Iraq has caused Americans to be any safer than they were before the tragedy of 9-11 stalked its land. (And, I would also add: is the rest of the world any safer, too?)

Recall if you might that the global ‘War on Terror’ has even come to the otherwise ‘peaceful’ (well, you know what I mean!) shores of the Caribbean. Some of our own nationals were said to be linked to plans to blow up planes in at least one American airport in New York City. Before that, there was the concern that countries like Trinidad and to a lesser extent Guyana and others have housed persons linked to military Islam and, quite possibly, Al Qaeda. That is certainly something to think about, specifically in the aftermath of the American media coverage of Senator Obama and his associations with the pastor of the Trinity United Church of Christ in Chicago, Jeremiah Wright.

I have resisted commenting on this topic, for as much as I could, though the temptation has been great. In the last couple of days the ‘controversy’ about race in America has certainly heated up and looks likely to impact Senator Obama’s chances of earning the Democratic nomination and, ultimately, the job of President. It is like owning Obama’s difference, in terms of his physical blackness (even), somehow qualifies me to be considered a bad person according to the current tone of the discussion. Indeed, acknowledging race in today’s society is, many respects, definitely not politically correct. This is especially the case in the aftermath of criticisms of American super power imperialism, colonialism and slavery. It is almost equivalent to suggesting that the Holocaust never existed or that man did not walk on the moon. Both of which, as you are aware, remain contentious issues for many in terms of their critique of American media and their capacity to define our realities.

More significantly, the question of race in America has once again reared its ugly head and, of all places in an election campaign and courtesy of the only black candidate in the fray, at least through his associations with his minister of religion. In reality though, Senator Clinton also had earlier intimated her own dis-ease about race by appearing to question the legitimacy of the history of black Civil Rights leaders like Martin Luther King Jr. and others. Senator Clinton’s suggested that President Lyndon B. Johnson actually provided the grist for the achievements of the Civil Rights Movement and not the prominent African-Americans leaders amongst who King Jr. is to be counted. Naturally, the former First Lady was roundly criticized, both in the media and elsewhere, especially within the black community for such radical comments.

However, what is significant about Senator Clinton’s remarks vis-à-vis those made by Pastor Jeremiah Wright, Senator Obama’s spiritual guide, is that they are perhaps not as contentious and as “fiery/ incendiary” as the, mostly white, American media have characterized them. While, there can be no doubt that Pastor Wright’s comments are, indeed, flammable, especially in the context of the racial tensions which swim below the surface of American society, there can be little doubt that part of the response of the media is, itself, implicated in the discussion on race in that society.

American media outrage is to be viewed, I believe, in the wider context of whether there is justification for the fears about race (ism) that would, ultimately, lead an American like Pastor Wright to invoke the unforgivable charge – “God damn America!” Among others, this seems to be the piece which has caused the most consternation and has lead to the near two weeks of media efforts at “digging deeper” and the critical review of Senator Obama’s relationship with Pastor Wright. Which it is felt impacts his own vision of America and the American people and, ultimately, whether he is capable of the job of being Commander-In-Chief. Indeed, Senator Obama’s wife Michelle had also earlier said that now that her husband is running for President she is (finally) proud to be an American. That too drew the ire of Senators Clinton and McCain, at the time, and required immediate damage control in terms of clarification.

Most recently, President Bill Clinton’s remarks to the effect that Senators Clinton and McCain love America, (perhaps unlike other unnamed Senators, whose issues have intruded on the real concerns in the campaign?) have turned up the heat on the discussion. More than a jab as it has been called by some in the media, in terms of President Clinton’s ‘subtle’ rebuke of Senator Obama and his eloquent, presidential-like speech on race in America, this comment opens up a potential can of worms. It is somewhat reminiscent of the invocation of the Patriots Act during the post 9-11 period - the reality being that, ‘true patriots’ do not criticize America, especially during times of terrorism and war. Indeed, the witch hunts of Americans said to be linked to Communism in the 1950’s are somewhat echoed in these comments.

What is notable also is whether the efforts to criticize the unseemly parts of the discussion about race, especially from the campaign platforms, is not itself another of the efforts by the media to gag those who would otherwise have something meaningful to say on the subject? I am almost of the view that the white American media, regarded as a liberal in many respects, reserves the right to be able to set the tone of the discussion on this very emotive and potentially flammable debate. Of course, it does not help matters that most of the presenters are not black and that their positions seem fairly insensitive, if not intolerant, towards minority concerns in this discussion.

In fact, CNN journalist Lou Dobbs has criticized Senator Obama for not having what he regards as, “fully formed views” on a range of subjects, including race and immigration. Indeed, Mr. Dobb’s comments come in the aftermath of Senator Obama’s earlier criticisms of statements made by Dobbs approximately two weeks ago regarding Senator Obama’s vision of immigration. Among others, Senator Obama criticized Mr. Dobbs for “fear mongering” and, in the words of the CNN newsman, “made all kinds of charges”. In a way, this is also reminiscent of Senator Clinton’s campaign’s claim that she would “throw the kitchen sink at Senator Obama” just before the Ohio and Texas Primaries and Caucus. Needless to say Senator Clinton won the Primaries in Ohio and Texas, but lost the Caucus (in Texas) to Senator Obama.

Which makes me wonder whether this is not another of the Clinton campaign’s strategy to bog Senator Obama down in aside issues which she herself had started much earlier? It also makes me wonder whether the claims of some of the guests who have given their views on Senator Obama’s relationship with Pastor Wright should not be viewed with suspicion by these very media? That they are given a platform such as CNN and others on which to air, in some instances, some questionable views may well prove worrisome for the Obama campaign leading into Pennsylvania, in particular, where he is trying to woo blue-collar, white American voters.

In at least one instance, one of Lou Dobbs’ commentator said that there are (basically) two types of black people – those like Pastor Wright (who express the fire and brimstone approach to race) and those like Senator Obama who are, effectively, ‘bargainers’. In the case of the latter, ‘bargainers’ are those African-Americans who ‘bargain’ with white America as a means of achieving acceptability. In effect, there would be no other basis on which white Americans could accept blacks in the same society than through a process of ‘bargaining’.

The speciousness of this comment, of course, needs not be said as it also implies that it is blacks who need the acceptance of white and not everyone in the interests of living in peace. It further underlines that the sentiments expressed by Pastor Wright are, somehow, typical (that word again!) and that, therefore, all blacks are effectively not to be trusted if even because they hold, or share in such views.

The reverberation, however, is that the comments made in reference to blacks and Pastor Wright also indict whites for believing this to be the norm amongst blacks in America. To which end, I must agree with Lou about the potentially offensive remarks made by Senator Obama about his grandmother being a “typical white” American “of her generation” as regards her fears of young black men and the types of comments she would make about them in private.

By all appearances, neither Obama nor Dobbs seems to have gotten it that both remarks – whether said directly or facilitated in the context of an interview that is not challenged, is just as dangerous. The effect of which is that they serve to reinforce negative attitudes towards and about each other without seriously critiquing such views as a means of finding common ground. Senator Obama, of course, stands to loose much more in the short term in terms of his own political future.

Which begs the question of what is the real state of the union regarding race in America? And, why is it that beyond the ‘incendiary’ remarks made by Pastor Wright can there not be an understanding in and by the American media that part of the difficulty with reporting race in America is precisely that – reporting race in America? By giving this subject as much play as it has received in the almost two weeks of its existence has served to resurrect unpleasant memories, for many, about its turbulent history in that society, and how both sides were implicated in the discussion as well as the reality of racial politics in America.

By not accepting that there are flammable views on either sides, notwithstanding the importance of the elections and the fact that Senator Obama is, himself, a black man who must have been impacted in some ways by these views is to miss the larger opportunity for a meaningful resolution of this subject. Surely, Senator Obama alone cannot make that change. However, a vote for him must, by necessity, be a step in the right direction to help address this scourge in American history.

Hopefully, the American media as well as the American people will not loose sight of this vision and make meaningful decisions in terms of how they report on and, ultimately, choose the next President – be it Senators Obama, Clinton or McCain.

Thursday 13 March 2008

Dancehall: Jamaica’s Solution to Civil Society?

Perhaps unlike other periods in its brief history, Dancehall today is a space of sharply contending views, notwithstanding its increasing visibility – owing in no small part to its growing international appeal, as well as better efforts to treat it as legitimate academic enterprise. The recent Global Reggae Conference (GRC), at the University of the West Indies (UWI), Mona campus in Kingston, Jamaica bears testimony to this fact.

Dancehall is said to promote the vast majority of negatives which, currently, besiege Jamaican society. Among others, the two primary voices argue between themselves, nearly oblivious to alternate positions. In the main, the ‘detractors’ say that, Dancehall is a, largely, violent, homophobic and misogynistic music which promotes uncivil values.

By contrast, ‘Dancehall’s defenders’ claim it as the ultimate space in which society’s downtrodden – the previously invisible and powerless black, ghetto youth are able to eke out an existence, and a good one to boot, as a result of their lyrical ingenuity. This sets them apart from the other, largely, disenfranchised if not dehumanized members of Jamaica’s working classes. By which means, Dancehall is a space in which Jamaican ‘ghetto culture’ is heralded to unparalleled prominence and economic benefit.

In this regard, Dancehall is not to be criticised, in large part, because of the historically imbalanced power relations between the ghetto/ working classes and the Jamaican middle-classes. As we say in Jamaica – “Come off ah di people dem back an gi dem a chance!” (Get off of the peoples' backs/cases and give them a break!).

Censorship?

At best, this position is to be questioned; in large part, because the relationship formed between society, art and culture is often more organic and, thus, much more interlinked than is usually reported. Carefully examining the music in this regard is not the same as censorship.

Nor, does this, necessarily, imply that Dancehall needs to be held to a higher moral standard than other institutions in Jamaica. Rather, it is to make the case that artistic expressions, specifically in societies like ours, occupy a complex socio-political juncture between the worlds of entertainment and, inter alia, other necessary developmental needs, notwithstanding Dancehall’s value as a social document.

Media Realities

There is no denying the links between real violence and the effects of media, for instance, whereby people usually associate ‘reality’ – such as it is, with that which is consumed in the context of the images, sounds and ideas of our current hyper-real, ‘mediatised’ realities. This means that, while one cannot easily trace a causative link between art/ media and their audiences, it is useful to note that media help to create (hyper) realities which are often inhabited by society’s consumers.

Think, for example, of advertising as a technology used to train audiences to desire that which is seen and heard, often to the extent that they will pay vast amounts of their disposable income in an effort to acquire/ embody the values reflected in such media. It would stand to reason, then, that if we desire to live in a better society – whatever that means, then, there is also an urgent need to properly educate those who sing of and report about our society.

Under/privileged

That, Dancehall artistes are, usually, men and sometimes women of under-privileged circumstances also means that education is not always considered a priority in their worldviews. This is especially the case in a society where young men are, by and large, not encouraged to stay in school and to maximize their potentials in that space.

Hyper-Masculinity

Cultural narratives of a type of hyper-masculinity and violent machismo premised on early sexual contact with the opposite sex; the need for material possessions as a sign of status and wealth; and expressions of violence as macho toughness are real issues which prompt young men, especially of working class backgrounds, to drop out of school and, ultimately, the education system.

Education/ Values and Attitudes

Not to be exempted from this discussion is the fact that Jamaica’s education system is in clear need of an overhaul. The recent claims of spending excesses (read, ‘scandal’ in Jamaican politics) in the Education Transformation Programme, under the previous Peoples' National Party (PNP) administration, are cold comfort in this regard. After all, the Transformation Programme was, inter alia, aimed at achieving some of these objectives.

Citizenship

Education about citizenship, values and attitudes and (Jamaican and World) history must figure prominently in the school curriculum from the earliest levels; that is, if we are to pull the society back from the brink of hysteria. In fact, basic crime fighting skills like supporting the need to give crucial information to the police, at community level, and self-defense; tolerance and the regard for law and order must also be given pride of place in the Jamaican education system. These are absolutely necessary if we are to cultivate a society in which all are free and are, therefore, able to maximize their potentials for the benefit of themselves and others, without fear of retribution and or extermination.

The Role of Music

Which raises the crucial question: what is the role of the music in this scenario?

Dancehall is, arguably, one of Jamaica’s most visible and profitable exports, currently, even if all benefits do not directly accrue to the country. The industry must be strategically revamped along important lines of professionalism and needed talent development. This is not just at the level of lyrical and musical abilities of individual artistes but also in terms of the respect for the rule of law such as, adhering to the financial and taxation systems of the country; becoming informed about a range of (other crucial) concerns rather than just a narrow focus on self; as well as respect for self and others. Government’s role is undeniable in this regard.

It is not enough to just, as we say in Jamaica, “eat ah food” or “earn ah bread” from the music.

The Academy

The academy must also become more meaningfully involved – not just at the level of reporting data on the music – which is obviously needed, but to simultaneously locate these in appropriate context. This is in terms of the key ideas which promote Dancehall’s genesis as a black music and Jamaican popular/ culture.

Academics must also engage in critical analyses which make pertinent projections for Dancehall’s future and, hence, attempt to shape public discourses on the significance of popular culture in articulating Jamaican values and concerns, both locally and abroad.

‘Out of Many, One People’

Until this is done, and there is respect for all, then, the goals of the motto, so curiously positioned in this mix of facts and fictions; feelings and emotions, might not be truly realized. “Out of many, one people” is, in the current context, a paradox as far as Jamaica goes. As it is stands, there are many people with many concerns. They hardly ever meet; it would seem, at a place of common agreement about the type of society in which we want to live.

Jamaican History

Dancehall as the common denominator in this equation affords us the wherewithal to, not only earn revenue from the sale of the music, but also provides us with a unique opportunity to look at ourselves in a critically reflexive way.

Indeed, as a Jamaican cultural art (form), Dancehall is fundamentally linked to the society’s history as well as its future. It would be folly to analyse it in isolation of other key realities that also crucially impact its evolution/ development; that is, in terms of the call for civic and social responsibility in Jamaica.


Words, Sounds and Power

Undoubtedly, words have power, as do the images they conjure up in their repetitive refrain in the context of music. A meaningful use of such powers, at least, may set us on a productive path towards re-constructing Jamaica as a place in which we will all want to live. Hopefully, we will not shy away from this responsibility!

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How important do you rank Dancehall's contribution to national development in Jamaica?

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